The first time 27-year-old Ong Mei Ching* got here throughout the Chinese on-line journal, Sixth Tone, it instantly caught her consideration.
For years, Ong had been inquisitive about Chinese present affairs and had stayed up to date about information from China, however she discovered that a lot of the protection revolved round related subjects.
Sixth Tone, which is printed in English, was totally different.
“I found it refreshing because it was not about Chinese business or economics or politics – it was about people,” Ong informed Al Jazeera.
She was captivated by the way in which the publication’s journalists ventured past the standard areas into lesser-known cities and provinces to report about social dilemmas such because the nation’s ageing inhabitants or its marginalised teams like single dad and mom and kids left with their grandparents by dad and mom who had left for work in faraway cities.
“I felt they were doing something quite meaningful, that they were changing the narrative of how an international audience saw China,” she mentioned.
Ong needed to be part of it. So, when she obtained the chance to work at Sixth Tone in 2019, she jumped on the likelihood and moved her life to Shanghai the place the journal has its headquarters.
She grew to become part of an editorial group that she described as upholding excessive journalistic requirements and whose members have been enthusiastic about their work.
However, the work may usually result in clashes with Chinese censors who objected to sure matter decisions and story angles, which typically resulted in items getting killed earlier than they have been ever printed or taken down just some hours after they went on-line.
“We were testing the waters with many stories to see whether they would pop the censors,” she mentioned.
Regardless of the scrutiny, Ong discovered that Sixth Tone, which was geared in the direction of a Western and internationally-minded viewers, usually had extra leeway than media for extra native audiences.
But its room for manoeuvre now seems to have shrunk.
Former and present workers at Sixth Tone have just lately given accounts of how articles have been eliminated and phrases censored on a large scale throughout the outlet’s archives. Editors have additionally been required to verify in with censors each few hours and sure terminology has been modified to align with the popular narrative of the Chinese Communist Party (CCP) together with referring to Tibet as “Xizang”.
Al Jazeera reached out to Sixth Tone for remark however didn’t obtain a reply.
Ong shouldn’t be shocked that the grip seems to be tightening round Sixth Tone.
“As Sixth Tone has grown, it has attracted a bigger audience making the government want to increase its control over the content this audience is getting,” she mentioned.
“At the same time, there is a lot of pressure on Chinese media today to portray China in a solely positive manner.”
A managed experiment
Under President Xi Jinping, the Chinese authorities has known as for “telling China’s story well” and spreading “positive energy”.
Such mantras haven’t at all times been mirrored in Sixth Tone’s many articles in regards to the socioeconomic points dealing with frequent individuals in China.
The irony is that whereas Sixth Tone’s reporting has drawn the eye of Chinese censors, the outlet can also be thought-about state media as a result of it’s a part of the state-controlled Shanghai United Media Group.
According to Shaoyu Yuan, a scholar of Chinese research at Rutger’s University within the US, state media in China function a mouthpiece of the ruling Chinese Communist Party (CCP) with much less emphasis on editorial independence and extra concentrate on aligning content material with celebration ideology and authorities insurance policies.
“This means that state media operate under the auspices of the CCP and contribute to the promotion of government objectives, enhancing national unity and supporting China’s image domestically and internationally,” he informed Al Jazeera.
But though Sixth Tone needed to steadiness credible reporting for a world viewers with CCP ideology, Yuan shouldn’t be satisfied the journal was doomed to lose its edge.
Instead, he argues that permitting Sixth Tone to pursue its personal journalistic type was akin to a managed experiment by the CCP.
“Chinese citizens interested in such reporting most likely already knew how to bypass censorship and access foreign news outlets that already cover some of the same issues,” he mentioned.
“The Chinese government’s support for Sixth Tone allowed for a subtle control over the tone and framing of such issues.”
Additionally, when Sixth Tone was based in 2016, China was nonetheless transitioning from the much less assertive governing type of Hu Jintao, who was China’s president from 2003 till 2013.
“Compared to eight years ago, it would be more unusual to see a media like Sixth Tone be founded today,” Yuan mentioned.
Shrinking house
Since Xi got here to energy in 2013, the media setting has tightened. Internet freedom has additionally declined.
In Freedom House’s 2023 report on web freedom world wide, China was rated “not free: with a rating of solely 9 factors out of 100, one level lower than the 12 months earlier than.
In RSF’s World Press Freedom Index, in the meantime, China fell 4 spots in contrast with 2022, rating second to backside and simply above North Korea. More journalists are at present in jail in China than anyplace else on the earth.
“There has been a very clear development towards greater state control over the media in China in recent years leaving very little space for media,” Alfred Wu, a scholar of public governance in China on the National University of Singapore, informed Al Jazeera.
This growth has additionally affected state media, in keeping with Yuan at Rutger’s University.
“Under the rule of President Xi Jinping, state media in China have been consolidated and aligned closer with the ideology of the CCP,” he mentioned.
“This involves regular ideological education and training, aiming to make sure that reporting reinforces Xi Jinping Thought [Xi’s ideology] and the objectives of socialism with Chinese characteristics, and this is why we are witnessing foreign staff members resigning from media outlets like Sixth Tone.”
One of these workers members is former editor Bibek Bhandari who allegedly landed himself and several other different workers at Sixth Tone in “hot water” final 12 months after publishing a media venture that criticised Beijing’s zero-COVID coverage.
On X, Bhandari wrote an extended thread explaining how the checklist of prohibited subjects was rising and had come to incorporate migrant relocation, the Shanghai lockdown, LGBTQ-related tales, girls’s points and the zero-COVID protests.
Bhandari attended the most important of the zero-COVID protests in November 2023 together with different members of the editorial group.
By May 2023, none of them have been left at Sixth Tone, he wrote in a collection of posts.
“I resigned. Demand for ‘positive stories’ was growing. Censorship getting worse. And the place has been utterly mismanaged. Space for stories that we previously published without any hiccups is shrinking. It’s not the same place I joined.”
Walking a tightrope
But it isn’t solely journalists in additional outspoken media resembling Sixth Tone who’ve come underneath stress.
When a reporting group from Chinese state tv CCTV started a dwell interview near the scene of a fuel leak explosion that had claimed the lives of 27 individuals in a metropolis outdoors Beijing in the midst of March, members of the native authorities reportedly blocked the digital camera whereas others engaged in pushing and shoving to bodily take away the journalists.
Even this 12 months’s annual information convention on the finish of the annual political gathering of the Two Sessions was cancelled.
Yuan warns that the incident close to the fuel leak explosion, the cancelled press occasion and the tightening controls over media shops like Sixth Tone counsel extra difficulties forward for journalists in China.
“These developments underscore the precarious nature of media freedoms and the tightrope that journalists must walk within the regulatory and political landscape of the country,” he mentioned.
Despite latest crackdowns and restrictions, former staffer Ong believes that Sixth Tone nonetheless has a task to play in China’s media panorama.
“I don’t think they will be shut down completely because I think they are still useful as a tool to promote China to a Western audience,” she defined.
“And even if it is not the same as before, a lot of it is still real stories, real people and real issues.”
Yuan famous that the way forward for shops like Sixth Tone shouldn’t be set in stone.
“I consider Sixth Tone’s journey to be reflective of the evolving strategies within China’s media ecosystem,” he mentioned.
“Should there be a shift towards a more open governance approach, there’s the possibility that Sixth Tone could once again rise to prominence.”
*The supply’s identify was altered to respect a want for anonymity given the sensitivity of the subject.
https://www.aljazeera.com/news/2024/4/4/media-feel-pressure-to-tell-positive-story-as-china-tightens-grip?traffic_source=rss
