Saturday, May 18

For Bernie Williams, grabbing a bat was straightforward. He would pull out the identical trusty 34 1/2-inch, 33-ounce Rawlings mannequin for all events throughout his New York Yankees profession, whether or not that was in spring coaching or the playoffs, whether or not he was dealing with a flamethrower or a knuckleballer.

Music, nevertheless, is completely different.

“Choosing a guitar is about the gig,’’ Williams said. “It’s about the sound that you want to create, and it’s about the music that you’re going to play. You need the right instrument with the right gig, and that varies with time.”

Such is what vexes the previous outfielder as he prepares for a second big-league debut — this time within the arts. Williams for the primary time will play guitar with the New York Philharmonic, on the Spring Gala on Wednesday, an epic milestone for a five-time All-Star and four-time World Series champion now deep into life’s second act.

So, which guitar? The acoustic metal string? The archtop? Williams stated a couple of weeks in the past that he may even select to go electrical “for that sort of Santana-like sound,” although he added it “might just be too over the top for that environment.”

Williams, who spent his complete profession with the Yankees from 1991 to 2006, has rebranded himself as an achieved musician, ordained with a Latin Grammy nomination and demanding acclaim. Still, at age 55, the considered moving into the highlight at one other hallowed New York venue — assume Yankee Stadium, however with higher acoustics — provides Williams butterflies.

On Wednesday, he’ll play one choice, his 2009 piece “Moving Forward,” as newly organized by jazz artist Jeff Tyzik. Famed conductor Gustavo Dudamel can be on the helm.

“I expect to be as nervous as I’ve ever been on any kind of stage,’’ Williams said “But I think it’s gonna be no different from playing a seventh game of the World Series, you know?”

To reply that final query: No, Mr. Williams, we don’t know. There is nobody else in baseball historical past poised to match the expertise of baseball’s Fall Classic and the Philharmonic’s Spring Gala. No one else has performed in “The House That Ruth Built” and within the live performance corridor Leonard Bernstein christened by conducting on opening evening in 1962.

Williams’ distinction means a lot gnashing of tooth for the president and CEO of the New York Philharmonic. Gary Ginstling is an ardent Mets fan.

“This is a deeply difficult decision for me, I have to say,’’ Ginstling cracked during a phone interview. “I did scour the landscape for any retired Mets. But no one could hold a candle to Bernie Williams.”


Bernie Williams has carried out the nationwide anthem earlier than baseball video games since retiring. Here he’s in 2021 at an Oakland Athletics-Minnesota Twins sport. (Darren Yamashita / USA Today)

This expertise is sufficient to give Williams flashbacks to his first big-league at-bat. The change hitter was 22 years previous when he stepped to the plate within the third inning at Yankee Stadium towards left-handed junkballer Jeff Ballard on July 7, 1991. It was hardly a hovering opening observe. The Baseball-Reference field rating immortalized the second this manner: Groundout: 3B-1B (Weak 3B).

The outing received higher. Williams drove in a run with the sacrifice fly within the fifth and introduced dwelling one other run with an infield single within the ninth.

“I bear in mind being actually nervous,’’ Williams stated of that debut. “I bear in mind being on this place the place there was quite a lot of uncertainty about my profession and my very own potential to remain within the large leagues. All I needed to do was to get a chance to have the ability to present folks what I can do.’’

Every week later, Williams hit his first dwelling run at Anaheim Stadium towards the California Angels. He hit a fastball thrown by Chuck Finley over the left-center discipline wall. He saved rolling from there: a .297 batting common with 287 dwelling runs and 147 stolen bases over 16 seasons.

Williams helped the Yankees win 4 World Series titles, together with three in a row from 1998 to 2000. His 22 profession postseason homers rank third all-time behind Manny Ramírez (29) and José Altuve (27).

That summation has utilized, at occasions, to his musical profession, partly as a result of it could be straightforward to dismiss Williams as simply one other retired jock with an costly new passion. But his lifelong musical journey is a part of what appeals to the New York Philharmonic. The Spring Gala, to be carried out on the David Geffen Hall on the Lincoln Center for the Performing Arts, is a fundraiser for musical training. Ginstling needs the youthful crowd to be impressed by Williams’ scholarly dedication to his craft.

Williams’ first teacher was his father. Bernabé Williams, an in a position seaman with the Merchant Marine, returned from Spain with a present for his 7-year-old son. It was a guitar that his son by no means put down. The household then discovered a guitar trainer in its neighborhood in Puerto Rico, and by the point Bernie was 9 years previous, he had carried out on a neighborhood radio station with different star pupils.

“The guitar teacher had all the little kids that were taking lessons with him, the ones that were kind of like standouts,’’ Williams recalled. “He would give them an opportunity to play a song or two on that radio show. … It was such a great experience and kind of set the stage for everything that came after.”

Williams saved taking part in all through his baseball profession, particularly so whereas grieving the lack of his father, who died of lung illness in 2001. The former batting champion then studied guitar and composition for a yr on the State University of New York at Purchase in preparation for his first album, “Moving Forward.” That launch strengthened his bona fides due to 14 strong tracks together with collaborations with Bruce Springsteen, Jon Secada and Dave Koz.


Bernie Williams and musician Jon Secada performing in the course of the Grammy SoundCheck on April 17, 2009, in New York City. (Joe Kohen / WireImage)

But finally, Williams formalized his experience. He enrolled within the prestigious Manhattan School of Music en path to a bachelor’s diploma.

“I tell you what, none of the home runs that I hit in the postseason helped me there,” Williams stated. “I had to really reinvent myself. And in a very strange way, I had to earn the admiration of the kids that I was playing with, because they were all virtuosos in their own instruments by the time they got to the Manhattan School of Music.

“I was the old guy in the back of the room. I was asking all the questions and asking that no one erase the blackboard until I was finished writing all the notes.”

Williams wasn’t chasing a diploma for the sake of the paper. The expertise signified his commencement from ballplayer to artist.

“I think the school gave me a great perspective on the reasons why I wanted to be a musician and the responsibility that we have as music makers to make sure that we make this world a better place,” he stated. “The joy and the power of music is just incredible thing to use for the good of the world.”

Therein lies the message of the Spring Gala and underscores why even a Mets fan like Ginstling embraces a Yankee in the home. The eclectic invoice on Wednesday is designed to introduce new audiences to the philharmonic. Selections vary from a collection from Richard Strauss’ “Der Rosenkavalier” to 2 items from rapper Common to an aria known as “Bachianas Brasileiras No. 5,” sung by the South Korean soprano Hera Hyesang Park.

“I think that’s what I’m so excited about,” Ginstling stated. “We’re gonna get a ton of Bernie Williams fans in the house that night who probably will be hearing the New York Philharmonic for the first time. It’ll be great for them to hear Bernie, but we want them to hear the orchestra play Strauss. And we want them to hear the orchestra play Nina Shekhar, this up-and-coming composer whose piece we’re playing.

“We’re hoping that they’ll get hooked not just by Bernie, but by all of this repertoire, and they’ll come back.”

Until then, Williams typically wakes up unexpectedly at 2:30 a.m. and reaches for his guitar. Still half-awake, he’ll strum till the notes sound simply as they need to earlier than permitting himself to float again to sleep.

“That’s the level of preparation you need for an event like this,” he stated. “Because when the nerves come in, you want to still be in control and not freeze when the situation arises. The only antidote to that is being well-prepared.

“That’s true of doing anything that requires the spotlight and great expectations and great pressures.”

Williams hardly is the primary ballplayer to make information along with his music. As far again as 1964, a Yankees bus journey turned tense when Yogi Berra grew bored with listening to “Mary Had a Little Lamb” as performed on the harmonica by a utility infielder named Phil Linz.

But that was the “New York Phil harmonica.” The New York Philharmonic is an entire completely different ballgame.

“If anything,” Williams stated, “baseball taught me to be able to perform under pressure, and this is definitely going put that to the test.”

(Top photograph: Mychal Watts / Getty Images)


https://theathletic.com/5433797/2024/04/23/bernie-williams-yankees-new-york-philharmonic/

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