The pianist Alice Sara Ott, barefoot and carrying a silver bracelet, was smiling and singing to herself the opposite day as she practiced a jazzy passage of Ravel at Steinway Hall in Midtown Manhattan. A Nintendo Switch, which she makes use of to heat up her fingers, was by her aspect (one other favored device is a Rubik’s Cube). A shot of espresso sat untouched on the ground.
“I feel I have finally found my voice,” Ott stated throughout a break. “I feel I can finally be myself.”
Ott, 35, who makes her New York Philharmonic debut this week, has constructed a world profession, recording greater than a dozen albums and showing with prime ensembles. She has turn into a power for change in classical music, embracing new approaches (enjoying Chopin on beat-up pianos in Iceland) and railing towards stuffy live performance tradition (she performs with out sneakers, discovering it extra comfy).
And Ott, who lives in Munich and has roots in Germany and Japan, has finished so whereas grappling with sickness. In 2019, when she was 30, she was identified with a number of sclerosis. She says she has not proven any signs since beginning remedy, however the dysfunction has made her replicate on the music business’s grueling work tradition.
“I learned to accept that there is a limit and to not go beyond that,” she stated. “Everybody knows how to ignore their body and just go on. But there’s always a payback.”
Ott has used her platform to assist dispel myths about a number of sclerosis, a dysfunction of the central nervous system that may trigger a variety of signs, together with muscle spasms, numbness and imaginative and prescient issues. She has taken to social media to element her struggles and to problem those that have steered that the sickness has affected her enjoying.
She stated she felt she had no selection however to be clear, saying it was vital to indicate that individuals with a number of sclerosis could lead on full lives.
“I don’t consider it as a weakness,” she stated. “It’s a fact. I live with it. And I don’t want to make a big drama out of it.”
Ott’s colleagues describe her as an adventurous musician who has helped deliver new audiences to classical music with experiments like “Echoes of Life,” a venture that blends Chopin preludes with modern works, video and Ott’s reflections on life and music.
Bryce Dessner, a composer and a guitarist who wrote a concerto for Ott that she premiered in Zurich this 12 months, stated that “what she brings onstage is so specific to her — it’s like she’s unlocking some sort of hidden doorway in each piece that she confronts or interprets.”
The conductor Elim Chan, who carried out with Ott a number of months after she started remedy, stated that from the beginning, Ott had a “don’t baby me” angle about her sickness.
“She is able to go to a very beautiful and fragile place, but it’s also very honest and it has integrity within it,” Chan stated. “And then she flies from there. And that is something I find very beautiful.”
Ott was born in Munich to a Japanese mom, a piano trainer, and a German father, {an electrical} engineer. She started piano classes at 4, drawn to the expressive energy of music, she stated, and when she was 12, she began commuting to Salzburg, Austria, to check with the famend trainer Karl-Heinz Kämmerling.
After profitable a sequence of prizes, her profession took off, and at 19, she signed with the celebrated label Deutsche Grammophon. Still, she started to really feel uneasy about classical music’s emphasis on custom in programming, live performance codecs and costume. She typically confronted sexism; a colleague as soon as instructed her to play a passage of Beethoven like a “cute little Japanese woman,” she stated. And her packed touring schedule was taking a toll on her as a musician, she stated.
“I felt like people were expecting something from me that I could not provide,” she stated. “I was floating around, and I didn’t have stability in the sense of who I was as an artist.”
She started to forge her personal path, working with artists just like the experimental composer Ólafur Arnalds to document reimagined variations of Chopin. Eager for a extra rugged sound, they went trying to find out-of-tune pianos in bars in Reykjavik, Iceland.
In 2014, she launched “Scandale,” an homage to the Ballets Russes, with the pianist and composer Francesco Tristano, that includes works by Stravinsky, Rimsky-Korsakov, Ravel and Tristano. On tour, they adorned the stage with magenta duct tape and invited the viewers to clap together with the music.
“You can really hear the intelligence in the way she performs,” Tristano stated. “Nothing is left to randomness or sheer virtuosity. She’s beyond that. She really wants to make a point about the music she’s creating — that it’s relevant today.”
In 2018, on tour in Japan, Ott started to expertise well being issues, feeling some numbness in her lips and later having issue strolling.
Her docs stated her signs had been most likely attributable to stress. But when she returned dwelling to Munich after one other tour a pair months later, half of her physique went numb. After present process exams, she obtained her prognosis: relapsing-remitting a number of sclerosis, the most typical type, through which signs can flare up and dissipate.
At first, Ott stated, she was “scared as hell” and panicked. But she additionally anxious about upsetting her household. “There were lots of times,” she stated, “when I just locked myself somewhere and cried.”
Her solely information of the sickness got here from the story of Jacqueline du Pré, the British cellist who died in 1987, at 42, of issues from a number of sclerosis. On the day Ott obtained her prognosis, she misplaced management of her left hand whereas enjoying a Chopin nocturne at a recital in Munich. She ran offstage, sat on the ground and cried, and canceled the remainder of the live performance.
But as Ott examine trendy therapies, she grew extra optimistic, particularly since her sickness was within the early phases. In February 2019, a couple of month after her prognosis, she posted about it on Instagram.
“An acknowledgment is not a weakness,” she wrote, “but a way to protect and gain strength, both for oneself and for those around us.”
Ott was praised for her braveness. When she toured, musicians approached her to share their experiences with a number of sclerosis. But her well being challenges additionally drew scrutiny.
When a critic reviewing certainly one of Ott’s albums final fall steered that its inclusion of some simpler items was associated to her a number of sclerosis, she shot again. On Instagram, she famous that she had defined her selection of repertoire and that she had plans for extra albums. She stated that such reductive labeling was “the exact reason why it’s still so hard for many to come out and talk about their own conditions.”
In New York, Ott will carry out Ravel’s Piano Concerto in G Major with the conductor Karina Canellakis, who can be making her Philharmonic debut, in a program that features works by Webern, Strauss and Scriabin. (Last 12 months, the 2 had been featured performing Beethoven in commercials for Apple Music Classical, the expertise big’s streaming service.)
Canellakis stated Ott had a “a serenity about her that is infectious.”
“There’s a sense of pure focus,” she stated, “and she inspires everyone else around her to assume that state of being.”
Ott has been refining her interpretation of the Ravel concerto, which she first carried out when she was 17, working to imitate the sound of jazz devices within the piano half.
On a current night, she went to the Blue Note jazz membership in Manhattan to listen to the Japanese composer and pianist Hiromi. The live performance felt intimate and laid-back, she stated: People cheered freely, laughed, talked and shared meals and drinks.
Ott stated she strives to create related connections with audiences.
“Music itself can only fully blossom when we unite in it,” she stated. “We have to be vulnerable. That is one of the most beautiful sources of togetherness and strength.”
