Theater in New York is nearing its seasonal crescendo, with stages Off Broadway and beyond teeming with activity. Of the many notable productions happening in April, here is a baker’s dozen to tantalize you.
‘All the World’s a Stage’
The composer-lyricist Adam Gwon, best known for the chamber musical “Ordinary Days” and more recently for the charming “Macbeth” riff “Scotland, PA,” sets his new musical in the 1990s in a conservative small town, where a gay high school teacher is helping a student to prepare for a statewide theater competition. With a cast of four that includes Elizabeth Stanley (“Jagged Little Pill”), Jonathan Silverstein directs for Keen Company — his swan-song production as artistic director of the theater, which commissioned this musical. (Through May 10, Theater Row)
‘Danger and Opportunity’
The Obie Award-winning director Jack Serio loves intimate, nontraditional venues — like the lofts where he staged his breakthrough production of “Uncle Vanya” — and he has one for this new play by Ken Urban (“Nibbler”). With the audience at close range, arrayed around a living-room-like space, Ryan Spahn and Juan Castano play a married couple enduring a sexual dry spell, and Julia Chan plays the long-lost high school girlfriend whose reappearance rattles their relationship. (Through April 20, East Village Basement)
‘Two Sisters Find a Box of Lesbian Erotica in the Woods’
The cleverly inventive, very funny playwrights Emma Horwitz (“Mary Gets Hers”) and Bailey Williams (“Events,” “Coach Coach”) are also the performers of this comedy, which appeared in an earlier form at last year’s Exponential Festival of experimental work. A co-production of New Georges, which incubated the show, and Rattlestick Theater, it is directed by Tara Elliott. (Through April 26, Here Arts Center)
‘Irishtown’
“Derry Girls” fans, assemble. Saoirse-Monica Jackson, who starred as Erin on that hit TV series set in Northern Ireland, makes her New York theater debut with this backstage comedy by Ciara Elizabeth Smyth, directed in its world premiere by Nicola Murphy Dubey. In an ensemble cast that also includes Kate Burton, Jackson plays a member of the Dublin-based Irishtown Players, rehearsing a Broadway-bound show whose author has diluted an ingredient the actors are determined to strengthen: its Irishness. Part of the Origin 1st Irish Festival. (Through May 25, Irish Repertory Theater)
‘Ceremonies in Dark Old Men’
The Broadway star Norm Lewis (“The Gershwins’ Porgy and Bess”) headlines this drama by Lonne Elder III, playing a widowed barber and former vaudevillian in 1950s Harlem, where he and his grown children live upstairs from the not exactly busy shop. The Negro Ensemble Company — which gave the show its first professional production in 1969, with Douglas Turner Ward in the lead — teams up with the Peccadillo Theater Company and Eric Falkenstein for this revival, directed by Clinton Turner Davis. (April 11-May 18, Theater at St. Clement’s)
‘Rheology’
The Obie-winning playwright-director Shayok Misha Chowdhury (“Public Obscenities”) recruited his mother, Bulbul Chakraborty, a physicist and professor, to create and perform this new show with him. A co-production of the Bushwick Starr, Here and Ma-Yi Theater Company, it takes its title from what Merriam-Webster defines as “a science dealing with the deformation and flow of matter.” Chakraborty studies sand. Her son studies her. This is a kind of memoir. (April 15-May 3, Bushwick Starr)
‘Class Dismissed’
There is a certain sort of effusively unhinged experimental theater that feels particular to downtown Manhattan. The collaborations between Robert Lyons (late of the scrappy, shuttered New Ohio Theater) and Daniel Irizarry are absolutely this brand of weird. Written by Lyons and directed by Irizarry, who also stars, their new show is set in academia, where a professor is losing his grip on reality and grad students are hallucinating a manifesto. Also, there will be rum. (April 18-May 4, La MaMa)
‘Five Models in Ruins, 1981’
Lincoln Center Theater’s small, adventurous upstairs stage, LCT3, breaks its recent quiet with the world premiere of this dark comedy by Caitlin Saylor Stephens (“Modern Swimwear”), starring Elizabeth Marvel as a fashion photographer shooting a Vogue cover in Europe. Morgan Green directs. (April 19-June 1, Claire Tow Theater)
‘The Ungodly’
Witchfinder General is a job title so absurdly dystopian that surely it must be made up, but there really was one in 17th-century England: Matthew Hopkins, who hunted down women he suspected of being witches. In Joanna Carrick’s play, which she directs in the Brits Off Broadway festival, Hopkins’s stepsister is a skeptic amid the religious panic he fans. Then the death of her babies tempts her toward the comfort of finding someone to blame. (April 24-May 11, 59E59 Theaters)
‘Sissy’
Marisa Tomei and the dancer Ida Saki perform this new dance theater piece, which puts a contemporary female lens on the myth of Sisyphus. In this retelling — written, choreographed and directed by Celia Rowlson-Hall (“Smile 2”) — Sisyphean labors come with being a woman in the world. (April 24-April 26, Baryshnikov Arts)
‘The United States vs Ulysses’
James Joyce’s mammoth 1922 novel, “Ulysses,” had to battle its way to publication in the United States. Initially it was banned here as obscene — until a judge ruled, in 1933, that though its effect “is somewhat emetic, nowhere does it tend to be an aphrodisiac.” Borrowing from period radio style, this 90-minute comic drama by Colin Murphy re-enacts and remixes that landmark free-speech fight. Conall Morrison directs this production, an import from Ireland. (April 30-June 1, Irish Arts Center)
‘Wonderful Town’
Anika Noni Rose (a Tony winner for “Caroline, or Change”) and Aisha Jackson (“Once Upon a One More Time”) star as sisters from Ohio who follow their artistic ambitions to New York in this Encores! revival of the 1953 musical comedy classic. With music by Leonard Bernstein, lyrics by Betty Comden and Adolph Green, and a book by Joseph A. Fields and Jerome Chodorov, it’s directed by Zhailon Levingston, who last year co-directed the much-acclaimed radical refresh “Cats: The Jellicle Ball.” (April 30-May 11, New York City Center)
https://www.nytimes.com/2025/04/04/theater/13-off-broadway-shows-to-tempt-you-in-april.html
